Huang Polin | 黃柏琳
Polin Huang 黃柏琳 (b. 1995, Taipei, Taiwan) is a mixed-media painter based in New York City. Huang's paintings are a critique of female stereotypes, racism, and the influence of advertising media, language, and local culture. Her work considers the youth of today, who are often depressed about life or overly pursuing vague philosophies. These analyses are all told through cartoonish characters with bright colors, glittery accents, and a humorous gaze. Huang received her BFA from Taipei National University of Art and MFA from School of Visual Art, NY. Huang has exhibited extensively, including her first solo show, Those Moments at Qingtang Park, Taiwan, Duo Show Waking Life, Village One Art, New York and several group exhibitions, including Fritto Misto, IRL Gallery and From Island to Island, Taiwanese American Arts Council.
Chosen for its distinctive sparkle, glitter conjures memories of childhood princesses. This luminous element serves as a metaphor for societal facades, urging viewers to ponder authenticity. Purposefully integrated, glitter holds profound significance in my artistic expression. Its shiny yet inexpensive quality mirrors the constructed world on my canvas - a symbolic challenge to societal facades. Polin’s paintings boldly feature vibrant colors, contrasting with her real-life persona and challenging expectations. The glittery characters stimulate contemplation on societal norms.
During a transformative phase while grappling with profound emotional struggles and depression, Polin found an unconventional outlet - she used a tattoo gun on herself. This cathartic process seamlessly translated raw emotions onto traditional canvases, underscoring art's transformative power. It unveiled therapeutic potential, shaping a creative essence and reaffirming its vital role in navigating life's complexities.
Defined by vivid, attention-grabbing elements, contrasted with the artist’s reserved demeanor, Polin’s work confronts social anxiety. It acts as an expressive alter ego, radiating outgoing energy - an intentional departure reflecting the person she aspires to become. The bright, glittery characters symbolize this envisioned persona, critiquing stereotypes while embodying an outgoing nature.
Compared to men, women often confront constraints in traditional gender roles. Polin’s paintings use metaphors and childlike techniques to resist these norms. The conservative East Asian environment can induce self-deprecation in women, fostering feelings of shame in self-expression. Contrary to societal definitions, pink is just a color. Similarly, gender is just a biological characteristic, if free from external judgment.